|
|
|
|
|
|
|
¹«Çü¹®ÈÀç Á¦ 17È£
¿ìµµ³ó¾ÇÀº Àü¶óµµ ¼³² ÇؾÈ
Áö¿ªÀÎ ¿µ¹«Àå³ó¾ÇÀÇ
ÀüÅëÀ»
À̾î¿À°í ÀÖ´Ù.
¿µ¹«Àå ³ó¾ÇÀ̶õ ¿µ±¤, °íâ, À强, ÇÔÆò µîÁöÀÇ ³ó¾ÇÀ»
¸»ÇÏ´Â °ÍÀ¸·Î ¿¾³¯ ³¶°É¸³ÆÐ µéÀÌ
ÇÏ´ø
½Åû³ó¾Ç¿¡
»Ñ¸®¸¦ µÐ °É±Ã±ÂÀÌ´Ù.
¶§¹®¿¡ Àü¹® ±¤´ëµéÀÌ Á÷¾÷ÀûÀ¸·Î ÇØ¿À´ø ±ÂÀ¸·Î¼
¿¹´É ÀûÀÎ ¸é¿¡¼ ´Ù¾çÇÏ°í È·ÁÇÔÀ» °®Ãß°í ÀÖ´Ù.
¼³À屸,
ºÎÆ÷³îÀÌ, ²¿±ò¼Ò°í µî °³ÀγîÀÌ°¡ Àß ¹ß´Þ
ÇÏ¿´°í, °¡¶ôÀº ¾à°£ ´À¸° ÆíÀÌ¸ç º¡¾î¸® °¡¶ôÀ» ¸¹ÀÌ
»ç¿ëÇÑ´Ù.
¶ÇÇÑ Àâ»öÀÇ ±â´ÉÀÌ Áß¿ä½ÃµÇ°í ¸ðµÎ ³ª¹«·Î ¸¸µç Å»À»
¾²°í ¿¬±Ø³îÀ̸¦ ÇÏ´Â °ÍÀº À½¾ÇÀûÀÎ ºÎºÐ¸¸ ¹ß´ÞÇÑ
´Ù¸¥ Áö¿ª ±Â¿¡¼´Â ã¾Æ º¼ ¼ö ¾ø°í ¿µ±¤¿ìµµ³ó¾Ç¿¡¼
¸¸
º¼ ¼ö ÀÖ´Â °¡Àå Å« Ư¡ÀÌ´Ù.
|
|
|
Udonongak as a Intangible Cultural Properties 17 has succeeded to the tradition of Yeongmujangkut where southwest sea-board in Jeolla-do. Yeongmujangkut is related to the udokut of Yeonggwang, Gochang, Jangseong, Hampyeong and like places. It is the Geolgoongkut rooted Shincheogkut that old practice of Nanggeollip. So, udonongak is played by professionally performers that is why it satisfies diversify and gorgeousness in artistic. Individual play - Seoljanggu, Buponori, Goggalsogo etc.- is well-developed, the rhythm is somewhat slow, and it use a profusion of dumb rhythm.
Moreover the function of motley crew is held in high repute. The best feature of Yeonggwang udokut is all motley crews play a drama with wearing a mask made of wood. That is found only in Yeonggwang udokut |
|
|
|
|
|
|
|
»ó¼è´Â ÃÖÈÁý(À强)À¸·ÎºÎÅÍ °¼º¿Á. ¹Ú¼º±Ù.
½ÅµÎ¿Á(°íâ), Àüº´³². ±è¸íÁØ. ±è¼º¶ô(¿µ±¤), ¼º±â¸¸.
Á¶¹Ù¿ì(ÇÔÆò)µîÀÌ ÀÖ¾ú°í. Àü°æȯ(¿µ±¤, ¿¹´Éº¸À¯ÀÚ).
Ȳ±Ô¾ð(°íâ)ÀÌ ÁöÁ¤µÇ¾î È°µ¿ÇÏ¿´°í Á¤µæä(±¤»ê³ó¾Ç
¿¹´Éº¸À¯ÀÚ). ÃÖ¿ë. ³ëº´³²(¿µ±¤). ±èâÀÌ(ºÎ»ê). ¹ÎÁÖ¿Á
(¼¿ï). ¹ÚÁÖÇö(¼¿ï)ÀÌ µÚ¸¦ ÀÌ¾î °¡°í ÀÖ´Ù.
¼³À屸´Â ±è¸¸½Ä(¿µ±¤)À¸·ÎºÎÅÍ ±èÇÐÁØ. ±èÈ«½Ä(°íâ)
µî
ÀÌ ÀÖ¾ú°í, °¼º¼ö(³ªÁÖ). ±è¿Àä(¿µ±¤, ¿¹´Éº¸À¯ÀÚ)°¡
ÁöÁ¤µÇ¾î È°µ¿ÇÏ¿´°í ÀÌ»óÈ£(¼¿ï). ÃÖÀº¹Ì(¿µ±¤)°¡
À̼öÀÚ ÀÌ´Ù.
ºÏÀº ÁöºÎ½Ç(¿µ±¤). ÆíÁ¤¹Î(¿µ±¤). ¼´ë¼®(±¤ÁÖ)µîÀÌ
È°µ¿ ÇÏ¿´°í, ±è¿µº¹. ¹Ú¼öº¹À¸·Î À̾î¿À°í ÀÖ´Ù.
²¿±ò¼Ò°í´Â ¸ðÁö¸®(°íâ)·ÎºÎÅÍ ±è¾ç¼ú(°íâ), |
|
°´ë·ú(¿µ±¤)µîÀÌ ÀÖ¾ú°í, ÀÓÆǼ®(¿µ±¤). ¹Ú¿ëÇÏ(°íâ)·Î À̾îÁ®¿À´Ù, ±èÁ¤¼÷. À¯µ¿½Ä(¼¿ï)µîÀÌ µÚ¸¦ À̾°í
ÀÖ´Ù.
12¹ß »ó¸ð´Â ¹®Áø¼ö°¡, ÅÂÆò¼Ò´Â ¼Û¹Ì°æÀÌ À̼öÀÚ·Î È°µ¿ÇÏ°í ÀÖ´Ù.
Àâ»öÅ»ÀÇ ¸íÀÎÀ¸·Î´Â ÆíÁ¤¹Î(´ëÆ÷¼ö), ¾ç¹Ý(±è±âÈ), ÇÒ¹Ì(ÀÌ»ó¼ø), °Áø½Ä(Á¶¸®½Â)µîÀÌ°í, ¾ç¹Ý(Á¶º´´ë),
±¸±³¼ø(ÂüºÀ), ÀÌÁ¾¹Î(Á¶¸®½Â), ´ëÆ÷¼ö(±è°Ç¸ð), µîÀ¸·Î Àü½ÂµÇ°í ÀÖ´Ù. |
|
A first gong-player in a folk band acted from Choi Wha-jip(Jangseong) to Kang Seong-ok, Park Seong-keun, Shin Du-ok(Gochang), Jeon Byeong-nam, Kim Myeong-jun, Kim Seong-lak(Yeonggwang), Seong Ki-man, Cho Ba-wu(Hampyeong), Jeon Kyeong-whan(Yeonggwang) who was acting as a intangible cultural properties. The present time, Choi Young, Noh Byeong-nam(Yeonggwang), Min Ju-ok, Kim Chang-hi, Pak Ju-heon transmit from generation to generation
Suljeonggu have played from Kim, man-sik(Yeonggwang) to Kim Hak-jun(Yeonggwang) and Kim Hong-sik(Gocang), Kang Sung-su(Naju), Whang kyu-uen(Gochang), Kim oh-chae(Yeonggwang, intangible cultural properties). and Lee Sang- ho, Choi Eun-mi retains a tradition.
Goggalsogo is continued by Kim Yang-sul(Gochang), Kang Dae-lyuk(Yeonggwang), Bak Yong-Ha(Gochang) and Kim Jeong- suk, Yu Dong-sik succeed in Mo Ji-li(Gochang).
Motley crew masters were Pyeon Jeong-min(deposu), Kim Ki-wha(yangban), Yi Sang-sun(halmi), Kang Jin-sik(jorisng).
then, Cho Byeong-dae(yangban), Ku Kyo-sun(chambong), Yi Jong-min(jorisng) , Kim Gun- mo transmit a tradition to posterity. |
|
|
|
|
|
|
|